Saturday, May 23, 2020

Andy Warhol s Influence On Modern Art - 1561 Words

When studying artists, styles of art and their respective time period, it is always important to find a few key artists that were responsible for the rise of new art trends. Traditionally, art has often a reflection of the most important elements within its respective time period, such as wars, religions, royalty, culture and expression. This is why the study of art history is needs to look deeper than simply understanding how certain artworks were created. Among the various artists studied in the course, Andy Warhol is definitely one of the most influential. Far ahead of his time in thinking and talented in several media forms, Warhol was a product of his time and defined his era with the use of his artwork, giving rise to other artists within the same time period. This paper will argue that Warhol was not only an influence to modern art, he defined the concept of pop art, which combined consumerism and pop culture, creating works that questioned the norm of society at the time, whi le providing a strong influence to future artists. Warhol was hugely successful in his artistic efforts and several of his staple works will be discussed in regards to its significance and representation of its respective period of time, as well as Warhol’s influence on the history of art. Born in August 6, 1928, in Pittsburgh, Pennsylvania, Andrew Warhola began his artistic pursuit at the age of 8 years old when he developed chorea, a disease that affects the nervous system, causing him toShow MoreRelatedAndy Warhols Influence on the Art World Essay1063 Words   |  5 PagesWhen you go to an art show do you understand the symbolic interpretation of the pieces? Don’t feel bad, most people don’t. What’s so upsetting about that is that you really miss out on the experience. When I think about interpretation of art I think of Andy Warhol. Andy Warhol’s use of iconography changed not only the art world but the people who came into contact with his art. Once you understand his life and art, you will understand his art as a symbolic representation. Andy Warhol (Andrew Warhola)Read MoreAttention Getter : The American Culture1387 Words   |  6 Pageshis artistic ability and thereby created a whole new culture in what we see is art today. This man who is considered one of the fathers of pop art goes by the name of Andy Warhol. or When we eat a slice of pizza we tend to wash it down with a bottle of Coke when we re feeling sick we tend to have some Campbell s chicken noodle soup when we think of rock n roll the name Elvis Presley comes to mind and for America s sweetheart and movie actress there is none other than Marilyn Monroe. These forRead MoreAndy Warhol s Book Of Etiquette963 Words   |  4 PagesAndy Warhol was born August 6th 1928, in Forest City, Pennsylvania. His family comes from the Austria-Hungary Empire. His father came over from there in 1912 and then sent for his mother to come over here in 1921. Andy graduated from High School in 1945 from Schenley High School in Pittsburgh, PA. He then went onto college and graduated in 1949 from Carnegie-Mellon University. He moved to New York City after college, where he met Tina Fredericks who was an art editor for Glamour magazine. Read MoreAndrew Warhola was born in 1928, in Pittsburg, Pennsylvania. He majored in pictorial design at the1100 Words   |  5 Pagesthe 1950’s, Warhola had a successful job as a commercial artist, earning several awards for his talents and soon shortens his name to Warhol (Andy Warhol // Biography). Andy Warhol was an American artist who was known as a leading figure in the visual art movement in pop art. He explored the relationships between artistic expressions, commercial advertisement, and celebrity culture in the 1960s and beyond. His views on American culture ad unique artistic expressions of the style of art had a greatRead MoreWarhol : A Artist And A Prominent Figure Into The Pop Art Movem ent1300 Words   |  6 PagesAndy Warhol was a multimedia artist and a prominent figure in the Pop Art Movement. Andrew Warhola was born in Pittsburgh, Pennsylvania. From 1945 to 1949, Warhola studied at the Carnegie Institute of Technology. In 1949, he moved and settled in New York and changed his surname to Warhol. He then worked as a Commercial artist. In the earlier years of the 1960’s, Warhol enjoyed experimenting with large mass advertisements, magazines, and other images. In 1962, he started working on the Marilyn MonroeRead MoreAndy Warhol Essay1218 Words   |  5 PagesI selected Andy Warhol because I have long admired his crazy, quirky, unconventional style of producing works of art from normal, everyday subjects ranging from inanimate, normally unnoticed objects to pop culture celebrity icons. I first heard of him in 1986 when his show Andy Warhols Fifteen Minutes aired on MTV. The show featured Andy interviewing what he thought was the next up-and-coming music al sensations about to get their fifteen minutes of fame. Two years later on a poster in theRead MoreAnalysis of album art of the 20th Century Essay1618 Words   |  7 PagesMusic has always had a strong influence on people everywhere in the world and nothing points to this ever changing. There is an enormous amount of genres and sub genres, new hits and old classics, songs and compositions for everyone and this number is forever increasing. It is virtually impossible to listen to all songs ever written and hardly anyone would try to attempt that, yet each band and singer would want to have their music noticed. This is why album art is an essential part of any musicRead MoreEssay about Pop Art’s Response to Mass Consumerism1133 Words   |  5 PagesPart One: Introduction to Pop Art The Pop Art movement â€Å"uses elements of popular culture, such as magazines, movies, †¦ and even [brand name] bottles and cans† to convey a message about the artist’s views on society. Using bold coloured paintings, soft sculptures, and printmaking, artists would create facsimiles, similar reproductions of popular merchandise and collages. The purpose was to emphasize the banality of any given mass culture. This was a response the post-war conservative society whichRead MoreThe Pop Art Movement Essay1303 Words   |  6 PagesThe Pop Art Movement Pop art got its name from Lawrence Alloway, who was a British art critic in 1950’s. The name â€Å"Pop Art† reflected on the â€Å"familiar imagery of the contemporary urban environment† (kleiner, 981). This art form was popular for its bold and simple looks plus its bright and vibrant colors. An example of this type of art is the oil painting done by Andy Warhol, â€Å"Marilyn Diptych† (Warhol, Marilyn Diptych) in 1962. The Pop art movement became known in the mid-1950 and continued asRead MoreThe Rise Of Pop Art1657 Words   |  7 Pagesrise of Pop Art. It paved the way for iconic artist such as Andy Warhol and Jasper Johns . With the rise of this bona fide American phenomenon also brought critics. Critics asked and wondered how a can of soup or a soft drink could be considered art. Pop artist, Andy Warhol responded by stating, †Art is what you can get away with.† What made pop art popular? It was brash, transient, witty, hostile, young, mass produced, and most importantly it was low-cost . Pop art was the new art movement of

Monday, May 18, 2020

How to Build and Create Links in PHP

Websites are filled with links. Youre probably already aware of how to create a link in HTML. If youve added PHP to your web server to be able to enhance your sites capabilities, you may be surprised to learn that you create a link in PHP the same as you do in  HTML. You have a few options, though. Depending on where in your file the link is, you might present the link HTML in a slightly different way. You can switch back and forth between PHP and HTML in the same document, and you can use the same software—any plain text editor will do—to write PHP as to write HTML. How to Add Links to PHP Documents If you are making a link in a PHP document  that is outside of the PHP brackets, you just use HTML as usual. Here is an example: a href Twitter/a?php----- My PHP Code----? If the link needs to be inside  the PHP, you have two options. One option is to end the PHP, enter the link in HTML, and then reopen PHP. Here is an example: ?php----- My PHP Code----?a href Twitter/a?php----- My PHP Code---- ? The other option is to print or echo the HTML code inside  the PHP. Here is an example: ?phpEcho a href Twitter/a? Another thing you  can do is create a link from a variable. Lets say that the variable $url holds the URL for a website that someone has submitted or that you have pulled from a database. You can use the variable in your HTML. a href Twitter/a?phpEcho a href$url$site_title/a? For Beginning PHP Programmers If you are new to PHP, remember you begin and end a section of PHP code using ?php and ? respectively. This code lets the server know that what is included is PHP code. Try a  PHP beginners tutorial to get your feet wet in the programming language. Before long, youll be using PHP to set up a member login, redirect a visitor to another page, add a survey to your website, create a calendar, and add other interactive features to your webpages.

Monday, May 11, 2020

Is Canada A Multicultural Country - 1182 Words

Having and raising children is one of our basic human rights, or is it? What is the correct way to raise a child? Who gets to decide whether or not it is being done appropriately? Should a parent have the freedom to instill their family s values on their own children, or should the current government dictate the values we pass generationally down to our offspring? Opinions on this topic are innumerable. Canada is a multicultural country, by its very nature we will have diversity in the way our children are raised. Due to the lack of cohesion between the government and parents views on raising children, it has been very confusing for the next generation to know what is expected of them. It has been said that the next generation lacks hope†¦show more content†¦The child had received this punishment for her disobedience to her father s rules, the child won the case! What message does this send to our children? Most children will not like or agree with the punishment meted out b y the parent, should we fill the courts with children suing their parents? The message we are sending our children is that we do not have control over how we raise them, the government can over rule the decisions we make concerning them. I am by no means advocating abusive behaviour in parenting yet, by whose perception do we evaluate whether or not our actions are abusive? Any kind of discipline can feel abusive to a child who is not mature enough to make proper judgments on their own. Each culture will have different ways of dealing with discipline and in a multicultural country we should respect the methods as long as they are not abusive. Parenting styles have been split into three categories, let us take a closer look at each. If you remember the phrase because I said so, you were probably raised by an authoritarian style. Very strict rules which were not up for discussion or explanation probably ruled your childhood. Children in this type of environment were being raised to follow the rules and not to question authority. Corporal punishment was more than likely a part of this upbringing. At the other end of the spectrum, if you felt like your parents were your friends they probably parented in a more permissive style. They were

Wednesday, May 6, 2020

Literary Techniques Used By Flannery O Connor - 710 Words

The Twisted Turns of The twist and turns of â€Å"A Good Man Is Hard to Find† leave the reader perplexed and riveted, relaying that the utmost thought went into the outline of the story. The author leaves the readers waiting for good to prevail over evil but never lets them have their intended ending as most stories do which is what gives this story it s intriguing draw. In â€Å"A Good Man is Hard to Find† Flannery O’Connor uses literary techniques such as conflicts, foreshadowing, imagery, simile, and irony to create eccentric characters and a twisted plot. She is never direct and spins her conversations into long detailed stories. Her inability to stop talking is what ends up getting her killed. Every so often there is peace and quiet,†¦show more content†¦Also the ride out on the dirt road had scenes of imagery. In A Good Man Is Hard to Find O Connor uses several kinds of irony to communicate her message about the human condition. The irony of Flannery O’Connor’s story â€Å"A Good Man is Hard to Find† may be best summed up best by the line, â€Å"I wouldn’t take my children in any direction with a criminal like that aloose in it† (276). However, this is exactly what she does when she sidetracks the family to a desolate roadside. Verbal irony occurs after the car accident when June Star announces disappointedly, But nobody s killed. The story s dramatic irony centers around the family s interaction with the Misfit, Foreshadowing is another main element. One example appears when the grandmother is talking to Bailey stating that she would not take her kids anywhere that there is such a deranged killer on the loose (O Connor 276). Later as the grandmother is talking to John Wesley, she asks what he would do if he ever did run into the Misfit. He replies, ‘I’d smack his face† (O’Connor 277). As the family is riding, they see a large cotton field with five or six graves fenced in the middle of it â€Å"like a small island† (O’Connor 278). This simile represents a sense of foretold death. â€Å"A Good Man is Hard to Find† retells a story of all the evil in this world and how hard it is to find a good person. By creating strong characters and using figurative language and literary techniques, O’Connor leaves the readerShow MoreRelatedParkers Back by Flannery OConnor1146 Words   |  5 Pagessignificance of Flannery O Connor s Parker s Back can seem at once cold and dispassionate, as well as almost absurdly stark and violent. Her short stories routinely end in horrendous, freak fatalities or, at the very least, a character s emotional devastation. Flannery O Connor is a Christian writer, and her work is message-oriented, yet she is far too brilliant a stylist to tip her hand; like all good writers, crass didacticism is abhorrent to her. Unlike some more cryptic writers, O Connor was happyRead MoreFlannery OConner and the use of grotesque character in Good country people and a good man is hard to find1226 Words   |  5 Pagescentury writing (Holman 61). Almost all of O Connor s short stories usually end in horrendous, freak fatalities or, at the very least, a character s emotional devastation. People have categorized O Connor s work as Southern Gothic (Walters 30). In Many of her short stories, A Good Man Is Hard To Find for example, Flannery O Connor creates grotesque characters to illustrate the evil in people. Written in 1953, A Good Man Is Hard To Find is one of O Connor s most known pieces of work and hasRead MoreAnalysis Of Grandmother In A Good Man Is Hard To Find.1517 Words   |  7 Pagescharacteristics she believed in people. Additionally, the author used grandmother to develop and set the mood of the story helping the reader understand the misfortune that befalls the family. Grandmother seems to predict through their encounters and her talks the heartbreaking catastrophe. For example, in the family drive in the city that grandmother selected, they travel along an abandoned road hinting the tragedy of death. O Connor writes â€Å"the family passed a large cotton field with five or sixRead MoreThe Psychoanalytical Theories Of O Connor s Work1862 Words   |  8 Pagesbehaviors. This is where a reader will be able to understand O’Connor’s true meanings of her story and will allow the reader to draw their own personal feelings from her work of art. Flannery O’Connor’s work is wildly known as a southern gothic style. Her work has been reviewed and criticized by many different scholars. Flannery O’Connor’s work normally contains a southern settings and psychologicall y disturbed characters, O’Connor’s readers have come to expect shocking and grotesque twists, along withRead MoreWhere Are You Going, Where Have You Been? Essay2193 Words   |  9 PagesWhile reading Joyce Carol Oates’ short story â€Å"Where are you going, where have you been?† and Flannery O’Connor’s â€Å"A Good Man is Hard to Find,† readers will dismiss the idea of the existence of any similarity in the stories of a fifteen year old girl and a grandmother. However, upon closer inspection, it is easy to appreciate how these two seemingly polar opposites are actually structured to invoke the same feelings in readers and to explore the same concepts. A close examination of â€Å"Where are youRead MoreA Good Man Is Hard And Find By O Connor2281 Words   |  10 PagesFlannery O’Connor impeccably portrays an anomalous family epitomizing the inevitability of fate in â€Å"A Good Man is Hard to Find†. In this short hor ror story, a family consisting of a grandmother, father, mother, two young children and a baby, adventure down to Florida where their vacation takes a bitter turn. While taking a hasty detour, the family bumps into the criminal, the Misfit, and is brutally murdered on the spot. In the short story, â€Å"A Good Man is Hard to Find†, O’Connor utilizes emblematic

Night World Spellbinder Chapter 13 Free Essays

You know, he probably only loved you because of the yemonja,† Blaise said. Thea looked up from her seat in the empty chemistry lab. It was morning break, and this was the most private place they could find at school. We will write a custom essay sample on Night World : Spellbinder Chapter 13 or any similar topic only for you Order Now â€Å"Thanks, Blaise. I needed that.† But maybe it was true. She’d almost forgotten that she’d used a spell to get him in the first place. That should make a difference, she told herself. If it was all artificial, I shouldn’t even miss it. She still felt as if she were encased in ice. â€Å"Did you get it?† â€Å"Sure.† Blaise tossed a ring on the high table. â€Å"I asked her if I could look at it, then pretended I dropped it in the bushes. She’s still out there searching.† Thea pulled the binding spell out of her backpack. Two anatomically correct dolls, both made with the blue wax Blaise used for her jewelry. Beautiful little creatures-Blaise was an artist. The male one contained the Kleenex with Eric’s blood and a single sandy hair Thea had found clinging to her shoulder. Thea put Pilar’s turquoise ring around the feet of the female doll and tied it with a red thread to keep it on. She held out a hand. From her backpack, Blaise produced a corked hexagonal bottle. The liquid inside was made up of all sorts of disgusting things, including ground bezoar stone. Thea held her breath as she poured it over the two figures, which immediately began to smoke. â€Å"Now bind them together,† Blaise said, coughing and waving a hand to clear a space to breathe. â€Å"I know.† Thea took a thin scarlet ribbon seven feet long and patiently began winding it around the two figures. It wrapped them like mummies. She tucked the loose end into a loop. â€Å"And there they are,† Blaise said. â€Å"Bound till death. Congratulations. Let’s see, it’s ten fifteen now, so he should have forgotten your existence by about†¦ say, ten sixteen.† She reached up and her hair ran like black water through her hands as she stretched. Thea tried to smile. The pain was bad. It was as if some part of Thea’s physical body had been cut off. She felt raw and bleeding and not at all able to deal with things like French or trigonometry. There must be more to life. I’ll go somewhere and do something for other people; I’ll work in third world countries or try to save an endangered species. But thinking about future good works didn’t help the raw ache. Or the feeling that if the ache stopped she would just be numb and never be happy again. And all this for a human†¦ It didn’t work anymore. She couldn’t go back to her old way of thinking. Humans might be alien, but they were still people. They were as good as witches. Just different. She managed to get through the schoolday without running into Eric-which mainly meant scuttling around corridors after bells rang and being tardy for classes. She was scuttling after the last bell toward Dani’s U.S. government class when she almost collided with Pilar. â€Å"Thea!† The voice was surprised. Thea looked up. Deep amber-brown eyes, framed by spiky black lashes. Pilar was looking at her very strangely. Wondering at your good luck? Thea thought. Has Eric proposed to you yet? â€Å"What?† she said. Pilar hesitated, then just shook her head and walked off. Thea ducked into the history classroom. Dani said, â€Å"Thea!† Everybody sounds the same. â€Å"Where’ve you been? Eric’s looking all over for you.† Of course, I should have realized. Blaise was wrong-he’s not just going to forget about me and walk away. He’s a gentleman; he’s going to tell me he’s walking away. â€Å"Can I go home with you?† she asked Dani wretchedly. â€Å"I need some space.† â€Å"Thea†¦Ã¢â‚¬  Dani dragged her to a corner and looked her over with anxious eyes. â€Å"Eric really wants to find you†¦ but what’s wrong?† she whispered. â€Å"Is it something about Suzanne? The old gym’s still closed, isn’t it?† â€Å"It’s nothing to do with that.† She was about to suggest they get moving when a tall figure walked in the door. Eric. He walked straight to Thea. The kids hanging around the teacher’s desk were looking. The teacher was looking. Thea felt like a freak show. â€Å"We have to talk,† Eric said flatly. She’d never seen him look quite like this before. He was pale, glassy-eyed, hollow-cheeked. He somehow managed to look as if he’d missed a week’s worth of sleep since that morning. And he was right. They had to talk to end it. She had to explain that it was okay, or he’d never be able to go. I can do that. â€Å"Somewhere private,† Thea said. They left Dani and walked through the campus, past the old gym with its yellow ribbon of police tape hanging limp and still. Through the football field. Thea didn’t know where they were going, and suspected Eric didn’t either-they just kept moving until they were out of sight of people. The green of the tended grass gave way to yellow-green, and then brown, and then desert. Thea wrapped her arms around herself, thinking about how cold it had gotten in just a week and a half. The last trace of summer was gone. And now we’re going to talk about it, she thought as Eric stopped. Okay. I don’t have to think, just say the right words. She forced herself to look at him. He turned the haggard, haunted face on her and said, â€Å"I want you to stop it.† Funny choice of words. You mean end it, break it off, put it quietly out of its misery. She couldn’t get all that out, so she just said, â€Å"What?† â€Å"I don’t know what you’re doing,† he said, â€Å"but I want it stopped. Now.† His green eyes were level. Not apologetic, more like demanding. His voice was flat. Thea had a sudden sense of shifting realities. All the hairs on her arms were standing up. Caught without a working brain, she said, â€Å"I- what are you talking about?† â€Å"You know what I’m talking about.† He was still looking at her steadily. Thea shook her head no. He shrugged. It was a you-asked-for-it shrug. â€Å"Whatever you’re doing,† he said with terrible distinctness, â€Å"to try and make me like Pilar, it has got to stop. Because it’s not fair to her. She’s upset right now because I’m acting crazy. But I don’t want to be with her. It’s you I love. And if you want to get rid of me, then tell me, but don’t try and foist me off on somebody else.† Thea listened to the whole speech feeling as if she were floating several feet above the ground. The sky and desert seemed too bright, not warm, just very shiny. While her brain ran around frantically like Madame Curie in a new cage, she managed to get out, â€Å"What could I possibly have to do-with you liking Pilar?† Eric looked around, found a rock, and sat on it. He stared down at his hands for a minute or so. Finally he looked up, his expression helpless. â€Å"Give me a break, Thea,† he said. â€Å"How stupid do you think I am?† Oh. â€Å"Oh.† Then she thought, don’t just stand there. You bluffed him before. You talked him out of knowing he’d been bitten by a snake. For Earth’s sake, you can talk him out of whatever he’s thinking now. â€Å"Eric-I guess we’ve all been under a lot of stress†¦.† â€Å"Oh, please don’t give me that.† He seemed to be talking to a clump of silver cholla, eyeing the halos of awful spines as if he might jump into them. â€Å"Please don’t give me that.† He took a deep breath and spoke deliberately. â€Å"You charm snakes and read guinea pigs’ minds. You cure rattler bites with a touch. You tap into people’s brains. You make up magical potpourri bags and your insane cousin is the goddess Aphrodite.† He looked at her. â€Å"Did I miss anything?† Thea found another rock and backed up to it blindly. She sat. Of everything in the universe, right then what she was most aware of was her own breathing. â€Å"I have this feeling,† Eric said, watching her with his green eyes, â€Å"that you guys are in fact the descendants of good old Hecate Witch-Queen. Am I dose?† â€Å"You think you win a prize?† Thea still couldn’t think, couldn’t put a meaningful remark together. Could only gabble. He paused and grinned, a wry and painful grin, but the first one she’d seen today. Then the smile faded. â€Å"It’s true, isn’t it?† he said simply. Thea looked out over the desert, toward the huge, bare cliffs of rock in the distance. She let her eyes unfocus, soaking in the expanse of brown-green. Then she put her ringers to the bridge of her nose. She was going to do something that all her ancestors would condemn her for, something that nobody she’d grown up with would understand. â€Å"It’s true,† she whispered. He breathed out, a lonely human figure in that vastness of the desert. â€Å"How long have you known?† she asked. â€Å"I†¦ don’t know. I mean, I think I always sort of knew. But it wasn’t possible-and you didn’t want me to know. So I didn’t know.† A kind of excitement was creeping into his haggardness. â€Å"It’s really true, then. You can do magic.† Say it, Thea told herself. You’ve done everything else. Say the words to a human. â€Å"I’m a witch.† â€Å"A Hearth-Woman, I thought you called it. That’s what Roz was telling me.† At that, Thea was horrified out of her daze of horror. Stricken. â€Å"Eric-you can’t talk about this with Roz. You don’t understand. They’ll kill her.† He didn’t look as shocked as she might have expected. â€Å"I knew you were scared of something. I thought it was just that people might hurt you-and your grandma.† â€Å"They will; they’ll kill me. But they’ll kill you and Roz, too-and your mom and any other human they think may have learned about them-â€Å" â€Å"Who will?† She looked at him, floundered a moment, and then made the ultimate betrayal of her upbringing. â€Å"It’s called the Night World.† â€Å"Okay,† he said slowly, half an hour later. They were sitting side by side on his rock. Thea wasn’t touching him, although her whole side was aware of his presence. â€Å"Okay, so basically, the descendants of Maya are lamia and the descendants of Hellewise are witches. And together they’re all this big secret organization, the Night World.† â€Å"Yes.† Thea had to fight the instinct to whisper. â€Å"It’s not just lamia and witches, though. It’s shape-shifters and made vampires and werewolves and other things. All the races that the human race couldn’t deal with.† â€Å"Vampires,† Eric muttered to the cholla, his eyes going glassy again. â€Å"That’s what really gets me, real vampires. I don’t know why, it follows logically†¦.† He looked at Thea, his gaze sharpening. â€Å"Look, if all you people have supernatural powers, why don’t you just take over?† â€Å"Not enough of us,† Thea said. â€Å"And too many of you. It doesn’t matter how supernatural we are.† â€Å"But, look-â€Å" â€Å"You breed much faster, have more children-and you kill us whenever you find us. The witches were on the verge of extinction before they got together with the other races and formed the Night World. And that’s why Night World law is so strict about keeping our secrets from humans.† â€Å"And that’s why you tried to hand me over to Pilar,† Eric said. Thea could feel his eyes on her like a physical sensation. She stared at a patch of rock nettle between her feet. â€Å"I didn’t want you dead. I didn’t want me dead, either.† â€Å"And they’d really kill us for being in love.† â€Å"In a minute.† He touched her shoulder. Thea could feel warmth spread from his hand and she had to work to make sure she didn’t tremble. â€Å"Then we’ll keep it a secret,† he said. â€Å"Eric, it’s not like that. You don’t understand. There’s nowhere we could go, no place we could hide. The Night People are everywhere.† â€Å"And they all follow these same rules.† â€Å"Yes. It’s what allows them to survive.† He breathed for a moment, then said in a voice that had gone husky, â€Å"There’s got to be a way.† â€Å"That’s what I let myself think-for a while.† Her own voice sounded shaky. â€Å"But we have to face reality. The only chance we have of even living through this is for us to just go our separate ways. And for you to try as hard as you can to forget me and everything I’ve told you.† She was trembling now, and her eyes had filled. But her hands were balled into fists and she wouldn’t look at him. â€Å"Thea-â€Å" The tears spilled. â€Å"I won’t be your death!† â€Å"And I can’t forget you! I can’t stop loving you.† â€Å"Well, and maybe that was just a spell, too,† she said, sniffling. Tears were falling straight off her face and onto the rock. Eric looked around for something to give her, then tried to wipe her wet cheeks with his thumb. She whacked his hand away. â€Å"Listen to me. You did miss something when you were adding up what I did. I also make love spells for me. I put one on you, and that’s why you fell in love in the first place.† Eric didn’t look impressed. â€Å"When?† â€Å"When did I put the spell on you? The day I asked you to the dance.† Eric laughed. â€Å"You-â€Å" â€Å"Thea.† He shook his head. â€Å"Look,† he said gently, â€Å"I fell in love with you before that. It was when we were out here with that snake. When we just looked at each other and†¦ and†¦ I saw you surrounded by mist and you were the most beautiful thing in the world.† He shook his head again. â€Å"And maybe that was magic, but I don’t think it was any spell you were putting on me.† Thea wiped her eyes on her sleeve. Okay, so the yemonja had nothing to do with it. Anyway, love spells just seemed to bounce off Eric-even the dolls hadn’t worked†¦. She bent suddenly and picked up her backpack. â€Å"And I don’t know why this didn’t work,† she muttered. She took out a quilted makeup bag, unzipped it, and reached inside. The dolls came out as a bundle. At first glance they looked all right. Then Thea saw it. The male doll had turned around. Instead of being face-to-face with the female doll, it had its back to her. The scarlet ribbon was still wound tightly around them. There was no way that it could have slipped, that this could have happened by accident. But the dolls had been inside the case, and the case had been inside her backpack all day. Eric was watching. â€Å"That’s Pilar’s ring. Hey, is that the spell on me and Pilar? Can I see it?† â€Å"Oh, why not?† Thea whispered. She felt dazed again. So it couldn’t have been an accident, and no human could have done it. And no witch could have done it either. Maybe†¦ Maybe there was a magic stronger than spells. Maybe the soulmate principle was responsible, and if two people were meant to be together, nothing could keep them apart. Eric was gingerly unwinding the scarlet ribbon. â€Å"I’ll give the ring back to Pilar,† he said. He reduced the binding spell to its constituent parts, put them gently back in the makeup bag. Then he looked at her. â€Å"I’ve always loved you,† he said. â€Å"The only question is†¦Ã¢â‚¬  He broke off and looked like the shy Eric she knew again. â€Å"Is, do you love me?† he finished at last. His voice was soft, but he was looking at her steadily. Maybe there are some things you just can’t fight†¦. She made herself look at him. The image wobbled and split. â€Å"I love you,† she whispered. â€Å"I don’t know what’s going to happen, but I do.† They fell-slow as a dream, but still falling-into each other’s arms. â€Å"There’s a problem,† Thea said some time later. â€Å"Besides all the other problems. I’m going to be doing something next week, and I just need you to give me some time.† â€Å"What kind of something?† â€Å"I can’t tell you.† â€Å"You have to tell me,† he said calmly, his breath against her hair. â€Å"You have to tell me everything now.† â€Å"It’s magic stuff and it’s dangerous-† A second too late she realized her mistake. â€Å"What do you mean, dangerous?† He straightened up. His voice told her the peaceful interlude was over. â€Å"If you think I’m going to let you do something dangerous by yourself†¦Ã¢â‚¬  He wore her down. He was good at that-even better than his sister-and Thea was no good at refusing him. In the end she told him about Suzanne Blanchet. â€Å"A dead witch,† he said. â€Å"A spirit. And a very angry one.† â€Å"And you think she’s coming back,† he said. â€Å"I think she’s been here all along. Maybe hanging around the old gym, which hasn’t done her any good since nobody’s been there assaulting dummies. But if they open it to have the Halloween party†¦Ã¢â‚¬  â€Å"It’ll be full of humans, all visiting those booths, all reminding her of what she hates. She can pick them off like ticks off a dog.† â€Å"Something like that. I think it could be bad. So what I’ve got to do is quietly lure her somewhere else and then send her back where she came from.† â€Å"And how are you going to do that?† â€Å"I don’t know.† Thea rubbed her forehead. The sun was dipping toward the cliffs and long afternoon shadows had fallen across the desert. â€Å"You’ve got a plan,† Eric said matter-of-factly. Not you, Thea thought. I promised myself I wouldn’t use you. Not even to save lives. â€Å"You’ve got a plan you think is dangerous for humans. For me, since I’m going to be helping you.† I will not use you†¦. â€Å"Let’s make this easy on everybody. You know I’m not going to let you do it alone. We might as well take that as given and go on from there.† This is the crazy guy who ignores snakebites and attacks people with punch, she reminded herself. Do you really expect to talk him out of helping you? But if something were to happen to him†¦ The voice came back again, and Thea didn’t understand it and she didn’t like it at all. Would you give up everything? How to cite Night World : Spellbinder Chapter 13, Essay examples

Economy of the United States Before During and After World War Ii free essay sample

They were also encouraged to ration their food and gas, and often grew Liberty Gardens. Unfortunately, World War II also made the American Government used to relying on deficit spending (government spending of borrowed money), causing economic problems that still linger today. Thats all I have. Hope it helps! Everything listed above is definatly true to a point, Im a history major who has to answer this question for an exam later this week so I thought Id help add some more information for the people who are looking WWII was an expensive war, it would cost $304 billion just to finance it. For this reason the governmnet pushed war bonds which encouraged common people to help support the war both with their money and with their hearts. From the get go the war was marketed to the common people, proven by the use of popular movie stars in the promotion of War fund-raising and compliance with governmnet measures. We will write a custom essay sample on Economy of the United States Before During and After World War Ii or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page After pearl harbor, the American people were ready to pour everything they had into the war effort. Women donated thousands of tons of aluminum cooking supplies to help build planes though it was later found that only virgin aluminum was good enough for aircraft and so their pots and pans were melted down and sold back to them as pots and pans. In the first months of the war Washington was a mess, and mobilization was slow. This is because our governmnet is not made to act swiftly, it was designed to take time and thought before any decision can be made. Scrap drives were unorganized and so were the efforts of the common people. Those who could not physically join the armed forces wanted to know what they could do to help but the governmnet expected little more from them than the purchasing of war bonds and for them to practice conservation of goods. Other items which were recycled included bone and fats which were used in making explosives and other materials. One of the greatest failures of American govenmnet was the policies which did not encourage the full use of all of the American people. While Rosie the Riveter posers might make it seem that women were begged to help in factories, the truth is that Americans tried to keep the women home for as long as possible before labor shortages around 1943 made it nessisary for factories to stop policies of discrimination. Comming out of the Depression, America had 9 million men that needed jobs. Each and every one was employed before women and minorities were given a chance to go to work. Even more difficult than the position of minorities was that of married women, especially those with the men of their families fighting overseas. America had been progressing socially as a nation under FDR, but his social reforms had taken a back seat to the war effort. Day care was almost non-existant, and where it was it was impossible to afford. Many stores also chose to keep the same hours they had during peace time and so women who worked late had a hard time getting the items they needed. Married women who had husbands in the workforce were also discriminated against because a common attitude was that the man should be the sole bread-winner of a household and children would be denied proper care if their mothers worked. Many goods that people took for granted disapeared, and with more money than they had seen in years the American public had little to spend it on. Gasoline was rationed and in many cities Sunday driving was banned, those who violated the laws had their gas coupon books taken away. The decrease in driving worked both to save gasoline and to put many new business, which depended on drive-in coustomers, to fail. Most people were given a card that allowed them 2 gallons of gas per week, with unrestricted gas reserved for emercency vehicles, police officers, and a few unscrupulous congressmen. Meat was also rationed at 2lbs per person per week which was very difficult for some people to live with. Conservation and the war effort also found its way into popular fasion. Durring the war shoes could only be found in limmited colors (i. e. 4 shades of brown, and black) and clothes were not allowed to be made with any more material than was absolutly nessisary, pleats, ruffles and other embelishments were thrown out for the durration. (This is one of the reasons why short skirts and bare-backed dresses were all the rage). A black market of rationed goods and consumer goods (such as sheets) was strongly revived during this period, but was not so pervasive as to undermine the system. With money burning holes in their pockets, Americans turned to the entertainmnet industry, which with its glamourous actors and fantastical stories, helped to distract the public from their problems. Also, the governmnet had its own idea about what Americans should do with their extra money, during the war the income tax was introduced to suppliment GI spending and has been with us ever since. One thing I would like to correct from what is stated above is the idea that minorities gained rights as a result of the economic boom and the war effort. What happened is that minorites began to actively fight for their rights after WWII. Women did not want to be thrown out of their positions after the men came home from the war, they liked the freedom of having their own income and enjoyed doing something other than cooking and cleaning. African-Americans also were feircly discriminated dirring this time. It would not be until after the death of FDR that the new president Harry Truman would finally desegrigate the military. This nations minorities were fighting overseas for freedom and equality when in fact they were not given these freedoms at home. After the war, blacks who had served in the military moved out of the south and sought a better life in the north where they could escape the racial caste system which existed there. Jews were also discriminated here as well as in many other countries. We were eager to condemn Hitler for murder and open persecution, but we did not want to take the Jews off of his hands alive. If you need more info, consult this book: ONeil, W. L. (2002). A Democracy at War: Americas Fight At Home and Abroad In World War II. Cambridge: Harvard University Press. Most of my ideas come from that text, nothing is quoted directly. Hopefully this helps too!

Friday, May 1, 2020

Use Of Technology for Retail Stores Samples †

Question: Discuss about the Use Of Technology for Retail Stores. Answer: Introduction Technology has significantly changed the business world. Currently, the mass migration from the traditional brick and mortar to online business strategy has been observed in several industries. This migration aims to meet the changes that are ongoing in the society. However, some businesses have been reluctant to incorporate this wave of technology into their activities. With the proponents of technology claiming that brick and mortar method face extinction in the future, scholars have illustrated interests in unveiling how technology affects the future of retail stores. The retail industry is one of the most competitive sectors in the modern business world. The heated rivalry between Aldi and Woolworths in Australia is an ideal example of the competitive nature of the retail industry. Technology adoption in the retail industry has been widespread in spite its effects being uncertain. Despite the spread of technology in the retail market, physical stores will not be extinct in the fu ture as there is more to shopping than convenience and quick delivery. Analysis Aldi is among the few retail stores that believe that technology cannot replace the physical stores. The store uses technology for marketing and utilizes its physical stores to enhance customers experience. In Australia, Aldi is one of the retailers that insist on physical presence. With the grocery retailer insisting on providing quality products at a low price to its customers, it has silenced the proponents of technology who claim that brick and mortar influence is dwindling. In its official website, Aldi states that is has over 10,000 stores globally, and over 470 throughout Australia (Aldi, 2017). Despite its physical presence, Aldi ranks among the top ten grocery retailers in Australia further silencing the brick and mortar critics. Interestingly, critics of Aldis business strategy claims that the stores lower pricing methodology has enhanced its competitive advantage in the wake of technology inception in the retail market. However, it is essential to note that business is about strategizing (Min, 2010). In business, one only accepts changes that will add value to your customers, business idea and mission. For Aldi, technology has proved insignificant to its progress in the present. Aldis perception towards technology adoption is supported by the deliberation of Grewal et al. (2017) in their article on the future of retailing. According to Grewal et al. (2017), technology should be used to enhance customer engagement not to replace the physical presence of enterprises. Technology is vital for collecting customers perceptions about a brands services and products (Shankar et al., 2016). Furthermore, it is important in the marketing of a brands products. In this respect, Grewal et al. (2017), predict that technology will not wipe out the physical presence of retail stores. However, they warn that retailers cannot assume the growing influence of technology on the customers purchasing decisions. Consequently, it essential for retail stores to select the elements of technology that they consider vital to their sustainability and attainment of their strategic goals. Customers are the most important factor in the retail market. However, this does imply that retail decisions are solely focused on customers. Kumar et al. (2017) argue that retailers should develop and implement business strategies at four levels. These four levels focus on the market, firm, store, and customers. Currently, the widespread inception of technology is based on the customers alone. In fact, Kumar et al. (2017) point out that there is insufficient data on the customers preference for online stores over the physical ones. As Kumar et al. (2017) advice, it is essential to address the needs of all customers in the retail world. Precisely, not all customers support the concept of online shopping. Some customers value the social aspect of physical shopping with families and friends. Moreover, not all customers are conversant with technology. Consequently, replacing physical stores with the online platforms will inconvenience some customers. The profitability and sustainability of retail stores depend on how they address the different needs of customers. According to Grewal, et al. (2017), quick and convenient shopping is just one of the multiple needs of the customers. However, quick and convenient shopping is not among the basic needs of customers. As Kumar et al. (2017) expound, important factors such as price, quality of products, and customer care suppress the influence of technology in customer decisions. Aldi has compensated it technology inadequacies with quality products and cheap pricing. Moreover, Aldi has been quick to stock grocery products based on the changing customer needs. Currently, Aldi prioritizes selling health supporting products to satisfy customers' demand for healthy eating. In this respect, retailers should strive to meet the customers preferences inclusively not selectively. Recommendations Kumar et al. (2017) opine that retailers who optimize product assortment across different channels perform better than those who focus on a single platform. In this respect, it is vital for retail stores to exploit all the existing channels to maximize their profits. This view implies that retailers should use technology to complement their physical stores. Although Aldi has been successful without investing intensively in its online market, it a high time they reconsider their stand. The management of Aldi needs to consider the interests of their clients that prefer online purchasing. With demographic surveys indicating that the millennials will dominate Australia's population in the future, it is essential for Aldi to meet this groups technology needs. Moreover, Aldi needs to enhance its online platform to increase its competitive advantage. Aldis main competitors such as Woolworths and Coles have already diversified their activities to embrace online retailing. To maintain its com petitive advantage, Aldi should promote its online retailing activities the same way it supports its physical stores. Conclusion Conclusively, technology will not wipe out physical retail stores in the future. Instead, these two platforms will work in a complementary manner. Currently, Aldis success is an ideal illustration that there is more to retailing activities than technology inception. Although the firm uses technology for its marketing and customer support services, it prioritizes its physical presence. Moreover, Aldi compensates its online inefficiency by offering its clients quality products at a reduced cost. However, with research indicating that technology is an influential factor in customers purchase decision, Aldis management needs to support its online retailing activities to meet the needs of their digital customers. References Aldi, 2017. About Aldi. [Online] Available at:[Accessed 28 September 2017]. Grewal, D., Roggeveen, A. L. Nordflt, J., 2017. The Future of Retailing. Journal of Retailing, 93(1), pp. 1-6. Kumar, V., Anand, A. Song, H., 2017. Future of Retailer Profitability: An Organizing Framework. Journal of Retailing, 93(1), pp. 96-119. Min, H., 2010. Evaluating the comparative service quality of supermarkets using the analytic hierarchy process. The Journal of Services Marketing, 24(4), pp. 283-293. Shankar, V. et al., 2016. Mobile Shopper Marketing: Key Issues, Current Insights, and Future Research Avenues. Journal of Interactive Marketing, Volume 34, pp. 37-48.